Simms Taback (pronounced Tay-back) has illustrated and written some 40 best selling kidâs books, including such award winners as Joseph Had a Little Overcoat, There Was an Old Lady Who Swallowed a Fly, and Kibitzers and Fools. He and his writer wife, Gail, live with little fanfare in Ventura after moving here from New York State two years ago.
He toils quietly out of his modest home studio to get his latest book ready and prepare for a book tour while he maps out future volumes. His latest, I Miss You Every Day, a book about being separated from the ones you love, is the perfect tome for a grandparent to buy for an absent grandchildâand it has already received advance rave reviews. âAnyone who has ever yearned for an absent loved one will treasure this beautifully simple picture book,â declared the reviewer for the School Library Journal. âTabackâs trademark wavy outlines and simple shapes are as endearing as ever.â
Ventura childrenâs author Jody Fickes Shapiro, who for 27 years helped hone the reading habits of two generations of Ventura children with her popular Adventures for Kids bookstore, is a big fan of Taback. âHis books are unorthodox, using all sorts of marvelous novelties like cutouts, collages, flaps, and die cuts. And kids love them,â she says. âSimms intrigues young readers because he allows them to have a sense of discovery with all the little details that fascinate them.â
Tabackâs long time editor and publisher Regina Hayes, from Viking Childrenâs Books, has worked with him for more than a decade and appreciates his unique style: âHis art is deceptively simple, and while it comes across as naĂŻve, itâs extremely sophisticated. He labors over those books and is so painstaking about his work. He also hides a lot of sly humorous references in his illustrations, which is what appeals to such a wide crossover age range.â
The silver haired, bearded Taback, 75, takes all the accolades with great humility. He says he is always working on new books and ideas for booksâeven if, like the work of many great novelists, they often take years to come to fruition.
When he returned to the theme of being away from loved ones, he penned his own words and produced the new book. While the words are important, most fans of Taback say what attracts them to the books are his eye-catching illustrations.
Thatâs not surprising since he began his career, at the age of 24, as a graphic designer at the New York Times and Columbia Records. He had grown up in a working class Bronx neighborhood that was a fruitful breeding ground for many talented artists, among them, the directors Stanley Kubrick and Gary Marshall, the writer E.L. Doctorow, and the actor Walter Matthau.
Taback attended what he describes as âa progressive secular Jewish summer camp,â and it was the experiences he had there that enabled him to draw one of his most popular books, Joseph Had A Little Overcoat.
His road to writing best selling kidâs books was quite a circuitous one: After two years in the Army during the Korean War, he started as a freelance illustrator and was then hired by an ad agency that did campaigns for drug companies. He followed that with an editorial spot on Sesame Street Magazine. Then there was a stint designing his own line of greeting cards, followed by the design and illustration of the first McDonaldâs Happy Meal box in l977. He had already begun writing and illustrating childrenâs books, and published his first in l964âJabberwocky and Other Frabjous Nonsense, which included poems by Lewis Carroll, the creator of Alice in Wonderland.
âGrowing up, I donât recall any particular picture books that inspired me,â he says, âbut I enjoyed reading Dr. Seuss to my own children. And, of course, Sendakâs 1964 classic, Where the Wild Things Are.â His move to California was prompted by a desire to be near his three children (two daughters and a son) and his five grandchildren (aged four to 22), most of whom live within driving distance of Ventura. Moving from the vibrant East Coast literary scene to laid-back Ventura required quite an adjustment, but he and his wife have gradually come to appreciate their new hometown as they begin to make new friends.
âVentura is beautiful, with an inspiring climate,â he says. âNew York is the center of publishing, art, and museumsâand I miss that, as well as hanging out with fellow artists.â
âMy background in design has greatly influenced how I create a picture book,â he says. âControlling every element of a bookâthe layout, typography, lettering, and how the story unfoldsâis important.â
He likes the fact that librarians have told him they have used a magnifying glass, particularly on his âOvercoatâ book, to pick up the funny asides, jokes, and personal references he slips into his illustrations.
In this era when we frequently bemoan the way television and the Internet hasten the decline of reading for our younger generation, Taback notes: âIâm not against television, but there is still something wonderful about a book. You can take it along wherever you go. Books have gorgeous jacketsâbut when you get down to it, I feel that picture books are basically about teaching kids to read.â
Copyright 2007 Ventana Magazine